Since 2011, Simple DCP has been the digital cinema lab of choice for independent filmmakers, providing an unprecedented combination of service, technology, and support. In 2018 we introduced Color by Simple DCP.
We believe that movies were meant to be seen on the big screen
Our philosophy is simple. There’s no better place to connect with the heart, mind, and soul of an audience than in the theater. But getting to the big screen is only half the battle. To take advantage of all that digital cinema has to offer requires a robust technical workflow and skilled artists.
Our team has knowledge, skill, and insight to guide your project from vision to reality.
Ana and the Simple DCP team were great — color grading was fantastic, and the schedule flexibility and willingness to help in other areas ensured that we got what we needed within our tight deadlines.
Ryan HamlynDirector, National Geographic: Symphony for Our World (2018)
As an indie filmmaker, I probably wear too many hats. Simple DCP can take one of those hats any day. Not only were their prices in our budget, Anastasia went above and beyond, making sure the color correction was perfect. I can be confident the DCP will look great at the premiere!
D. W. ThomasDirector, Hey Fibi! - narrative short
I worked with Garrett Sergeant DCP for several shorts in the past so I was pretty sure I’d be in good hands for color grading. And I was. Anastasia Shepherd did an amazing job on my film. She was communicative and supportive all through prep. She made the transition from FCPX to DaVinci and back again as easy as possible. She prioritized our time in the studio to get the most important color issues addressed first. She has a thorough knowledge of DaVinci but she’s also a story teller and uses color to support and even advance the narrative. When I have another feature to grade, I’ll bring it to Garrett and Anastasia.
Vincent SassoneDirector, Pure Art - documentary feature
The color grading process went well and we were satisfied. Ana is a good and thorough colorist.